In his excellent portrait of Scott Morrison, titled The Game, Sean Kelly writes about a theory of literary characters suggested by E. M. Forster in a series of lectures delivered just before the Great Depression. Forster argued that there were two sorts of characters, either flat characters or round characters. Persuasively and in sharp detail, Kelly makes the case that Morrison is a flat character. Such a character could be “captured in a sentence or two”. They might have a catchphrase. Their advantage to the novelist is “that they never needed to be reintroduced, because they were so easily recognised”.