The Guaia is three-and-a-half feet tall, with arms as long as she is high. The pads of her fingers are as dark and shiny as wet wood, and splayed like a tree frog’s. Her face is forever young yet strafed, all hollow and crag, sexless. She sleeps behind a screen of holy trees, away from the people. These trees are lacquered black and glistening, even in the lush damp sunlight that strains through the forest canopy above and dusts the groves with golden velvet. The black trees sway in a breeze that no one else can feel. At night the rancid scent of their leaves breathes from her skin. Her body is tattooed with these leaves, tendrils knotting around her skin like veins.
In her hut she keeps wooden bowls of different leaves, crushed, pooling at the bottom with toxins. The walls are plaited branches, woven through with black feathers. There is a sleeping mat of reeds, a hanging tangle of bone charms over the door, and, in a corner, the rusted chainsaw she took from the last woodchoppe...