Film

Frances O’Connor’s fabulist biopic literalises the connections between Emily Brontë’s life and her masterpiece Wuthering Heights, reducing both.

Ruben Östlund’s Triangle of Sadness, which just earned the director his second Palme d’Or, builds on a reputation for satirising the social elite that he’s carefully cultivated in earlier works.

Actor Kiruna Stamell has faced down ableist discrimination to create an enviable screen career.

The horror-comedy The Menu is let down by a crude script and a cruder understanding of the absurd.

Adapted from a novel about the Nicaraguan crisis of the 1980s, Claire Denis’s latest film taps into a deep well of human sensuality and doom.

Self-effacing writer Jack Thorne, whose prolific career ranges from grim Welsh mining dramas to Enola Holmes and adapting Dickens, talks about channelling anger and fear in his work.

For Richard E. Grant, acting is a constant joy – but the past year has mostly been about tackling grief.

Jordanian director Darin J. Sallam’s debut feature film, Farha, centres on the experiences of a 14-year-old Palestinian girl during the Naqba.

In Park Chan-wook’s unlikely romance Decision to Leave, the Korean director again plays with genre to comment on dark national histories.

Whether working for screen or stage, Rosemary Myers, director of the globally acclaimed children’s company Windmill, says the agency of audiences is core.