Film

Ridley Scott’s House of Gucci disappoints, but the cast’s committed performances still make it worth watching.

The fourth instalment in The Matrix franchise is a joyless, pompous, unimaginative exercise in greed.

Sixty years after winning an Oscar for her role in West Side Story, Rita Moreno appears in Steven Spielberg’s version, which has a new sense of what it means to ‘get it right’.

Through the second year of the pandemic, watching big films on the small screen became ever lonelier.

In The Eyes of Tammy Faye, a fascinating real-life story of the televangelist movement is obscured by its redemptive narrative.

Oscar-winning documentary-maker Eva Orner says that despite the dark places she explores, she never gives up hope.

For his leading role in Denis Villeneuve’s Dune Timothée Chalamet has been charged with ‘saving the film industry’, but he wears the mantle modestly.

Julia Ducournau’s Palme D’Or-winning film Titane gives horror a high-octane twist.

New film censorship guidelines in Hong Kong, released this month, will have a chilling effect on a once-vibrant industry.

Flawed but utterly mesmerising, Jane Campion’s The Power of the Dog demonstrates her mastery of filmmaking.