Almost a decade after making Bastardy with actor Jack Charles, filmmaker Amiel Courtin-Wilson refuses to see himself as a detached observer, instead drawing in his subjects as collaborators.
In remaking The Beguiled, Sofia Coppola has captured some beautiful and atmospheric moments of the antebellum south. But, the film fails to confront the defining issues of the time.
As an actress on the rise, Angourie Rice is determined to find roles beyond the cookie-cutter teenage girls. Here, she talks about the importance of female representation, working with Kidman and Coppola, and frocking up for The Beguiled.
A film about Emily Dickinson and a documentary on Whitney Houston may seem worlds apart but both address – with varied success – the notion of divine gifts.
Jordan Peele’s satirical horror Get Out fails to frighten by addressing America’s race politics on the surface rather than probing its subconscious fears.
Composer Hans Zimmer’s monumental soundscapes have won him an Oscar for The Lion King and powered Christopher Nolan’s films, but their rapturous reception at rock music festival Coachella took even him by surprise.
Although at times a slightly confused ghost story, Personal Shopper trades on the talent of Kristen Stewart and her connection with director Olivier Assayas.
