Film

Rian Johnson’s third Knives Out movie, Wake Up Dead Man, is a perfectly balanced romp.

The latest iteration of the Marrakech International Film Festival – the Arab world’s most important – highlights the triumphs and trials of the human spirit.

For director Constantine Costi, all the world’s a stage, whether it’s an opera production or a porridge-making competition in a Scottish village.

Yurlu | Country records the devastating cost of the Wittenoom asbestos mine to the Banjima people and their land.

James Sweeney’s second film, Twinless, is a joy – its unexpected twists revealing a dazzlingly assured filmmaker.

Highlights of this year’s New York Film Festival include the powerful blood-and-brocade high seas saga Magellan and the heist drama The Mastermind.

Yorgos Lanthimos’s latest film, Bugonia, remakes a South Korean B-grade comedy into a war of words on contemporary delusions.

The maverick Scottish filmmaker behind We Need To Talk About Kevin and You Were Never Really Here returns with Die My Love, a feral, funny story of motherhood and survival.

Springsteen: Deliver Me from Nowhere limits itself to one crucial sliver of the Boss’s life to escape the clichés, but it’s a biopic through and through.

Julia Roberts shines in Luca Guadagnino’s After the Hunt, an exploration of cancel culture that is hard to imagine even being made a few years ago.