Music

Pinchgut Opera’s new realisation of Handel’s Messiah strips it back to its first scoring in 1742 – and it is an undiluted joy.

Pink Floyd’s iconic album Wish You Were Here – which celebrates its 50th anniversary this year – remains a classic expression of modern alienation.

Rosalía’s magnificent new album, LUX, is her most ambitious, experimental – and accessible – yet.

In the 1970s, WITCH was one of Africa’s biggest bands before fading into obscurity. Now touring Australia’s east coast, they are enjoying the global acclaim they deserve.

Mavis Staples’ vibrant Sad and Beautiful World – her first solo album in six years – shows the octogenarian singer has lost none of her passion for justice.

The Black Sorrows’ fourth compilation album showcases a rich, versatile talent that spans generations.

Paul Thomas Anderson’s gripping One Battle After Another positions music as a force against fascism.

After 25 years of making music, acclaimed British electronic pop band Hot Chip are still moving to their own beat.

Playwright and dramaturg Tom Wright – whose adaptation TROY is on at Malthouse Theatre – loves the ephemeral nature of his chosen art form.

Audrey Hobert’s debut album, Who’s the Clown?, is an unlikely hit full of mundane yet surreal detail that’s weirdly endearing.