Television

At once hilarious, savage and tragic, Mike White’s The White Lotus defies categorisation.

Baltasar Kormákur’s eerie Netflix series Katla is an original work of poetic myth about grief, longing and guilt.

The Gossip Girl reboot feels more like propaganda for the elite than the frothy satire it promises.

Cult comedy I Think You Should Leave with Tim Robinson asks a simple, recurring question: how far might one go to save face?

Amazon’s star-studded science fiction series Solos takes on the monologue but doesn’t quite fulfil the promise of its form.

Moonlight director Barry Jenkins’ television adaptation of The Underground Railroad is a brilliant and deeply moving depiction of slavery in America.

True crime series such as The Sons of Sam: A Descent into Darkness feed our appetites for fear, while shielding us from the crimes of which we should really be afraid.

Jess Hill’s documentary See What You Made Me Do, based on her best-selling book, is a tough but illuminating look at a scourge of Australian society.

In Netflix’s impressively realised Shadow and Bone, Leigh Bardugo’s popular fantasy books find a sumptuous apotheosis.

Allen v. Farrow is more than a rehash of a celebrity scandal. An indictment of the entertainment industry, it looks thoughtfully at how stories are told, and who gets believed.