Clare Barron’s Shhhh, directed at Red Stitch by THE RABBLE’s Emma Valente, is a densely layered and intelligent meditation on how weird human sexuality can be.
Jada Alberts is a multi-talented artist whose work spans acting, writing, directing and visual art – and most recently a musical homage to Aretha Franklin.
The double reality staged in Do Not Go Gentle, Patricia Cornelius’s poetic exploration of ageing and dementia, brings the lives of the disenfranchised into sharp focus.
The long-awaited stage adaptation of Loaded at the Malthouse Theatre updates Ari’s story for a new audience, while drawing fresh tension from anachronism.
In exploring how the oppressed can become oppressors, the stage adaptation of The Poison of Polygamy – Australia’s first Chinese-language novel – is a timely critique of the present.
