Theatre

The MTC’s production of  As You Like It is burdened by heavy direction and a preponderance of song.

Kip Williams’ bold and devastating production of Julius Caesar brings the 21st-century media machine into a study of political rhetoric.

Sydney Festival’s new director, Olivia Ansell, wants to remind the city of its unruly histories.

Sometimes, as Steve Pirie’s play Return to the Dirt demonstrates, the best way to talk about death is through humour.

This year’s Liveworks at Sydney’s Carriageworks considered what performance might be if we’re not present to make or share it.

The latest crowd-pleaser from Perth ensemble The Last Great Hunt bursts with ideas but struggles to bring them into focus.

This year’s Melbourne and Sydney Fringe Festivals put together lively online programs that prove theatre can successfully translate to screen.

Isklander is an interactive online thriller that puts the audience at the centre of its plot.

The socially engaged theatre work Truth to Power Café gives poignant political expression to lived experiences.

The stage adaptation of Boy Swallows Universe is a celebration of Brisbane – the good, the bad and the ugly.