Theatre

Illuminating, angry and funny, Sydney Theatre Company’s remount of the classic play The 7 Stages of Grieving powerfully shows how Indigenous survival is a radical act.

The idea that changing the past could fix the future gets a glitchy video-meets-theatre treatment at The Old Fitz.

Queensland Theatre’s staging of William Shakespeare’s Taming of the Shrew nods to contemporary gender politics, but fails to address it in a meaningful way.

The STC’s Australian premiere brings a sense of compassion to the musical adaptation of Alison Bechdel’s groundbreaking graphic novel Fun Home.

The real star of Because the Night – the immersive theatre show that has taken over Melbourne’s Malthouse – is the production’s mega-installation set.

After a long and successful career, dramatist Joanna Murray-Smith returns to her roots with a new play opening this month at the Melbourne Theatre Company.

Foreign correspondent Sally Sara’s semi-autobiographical play at Belvoir, Stop Girl, captures the quotidian anguish of suffering a breakdown.

John Bell’s solo show One Man in His Time reveals his mastery of Shakespeare’s language – and the limitations of the classic English writer’s claims to universality.

Multi-award-winning playwright Patricia Cornelius is working on an adaptation of her novel about the fallout of the Vietnam War, My Sister Jill – when she’s not gardening.

MTC’s Sexual Misconduct of the Middle Classes may look familiar on the surface, but this intelligent play contains a devastating portrayal of erasure.