In his exhilarating final production as artistic director of Sydney Theatre Company, Kip Williams rewrites Bram Stoker’s Dracula as a hymn to queer love.
Now celebrating its 30th anniversary, Melbourne performance group APHIDS helped to create a DIY feminist queer aesthetic that reshaped the art form globally.
Bell Shakespeare’s King Lear, with a convincing Robert Menzies in the title role, is an intimate portrait of a demented king but is hampered by its performance in the round.
Adelaide Cabaret Festival is no longer as capricious or anarchic as it once was, but there are still performers who know cabaret is what can be made with an audience on any given night.
Melbourne Theatre Company’s nuanced and intelligent production of Emma Mary Hall’s award-winning World Problems shifts from a real past into an imagined future.
Thomas Bernhard’s play The President, now on at Sydney Theatre Company, fails to hit home – perhaps because what seemed shocking in 1975 is now part of our everyday reality.
Multiple Bad Things, the latest show from national treasure Back to Back Theatre, is a troubling evocation of the heightened tensions of day-to-day experience.
Drawing on the harsh realities of drought and flood, STC’s production of Angus Cerini’s Into the Shimmering World is an exploration of silent shame and suffering.
