Visual Art

Hany Armanious is an existential sculptor of the everyday, capturing its absurdities while insisting they be taken seriously.

In the Melbourne exhibition Revisions, more than 60 Warlpiri artists remake photographs and archival records to question colonial histories.

Archie Moore’s masterpiece kith and kin – the first Australian work to receive a Golden Lion at the Venice Biennale – is now an unmissable display at Brisbane’s Gallery of Modern Art.

British sculptor Thomas J. Price’s statues of ordinary Black people in prominent public spaces are deeply moving.

An exhibition pairing American–French surrealist Man Ray and Australian photographer Max Dupain throws new light on the work of both.

Voyager, an exhibition of works by acclaimed Māori artist Lisa Reihana, distorts and reimagines time, space and myth.

Yolŋu power: the art of Yirrkala at the AGNSW is a must-see exhibition that displays an entire cosmology.

German sculptor-photographer Thomas Demand, whose latest exhibition, The Object Lesson, is at the AGNSW, reframes reality in his meticulously crafted works.

Two remarkable solo exhibitions at Bundanon – Betty Kuntiwa Pumani’s malatja-malatja (those who come after) and David Sequeira’s The Shape of Music – encompass entire worlds.

The Neighbour at the Gate at Sydney’s National Art School explores the shared histories of Aboriginal and Asian Australians as joyful, resilient and inclusive.