For all its promise of a bloodily feminist retelling of Shakespeare, Zinnie Harris’s Macbeth (An Undoing) at Malthouse Theatre is disappointingly banal.
Podcasts created by museums, archives and galleries to draw attention to their extraordinary collections have huge potential but too often fail on their promise.
In his exhilarating final production as artistic director of Sydney Theatre Company, Kip Williams rewrites Bram Stoker’s Dracula as a hymn to queer love.
