Culture

By Anonymous (not verified) , 27 November, 2021
James stares at Max and Max stares at James. Each has a red mark under his left eye that will be dark blue by the time they get home. The boys step towards each other. Max raises his left hand, James his right, and their fingers twine together. They each place their empty hand in the small of the other’s back and begin to move their feet in counts of three. Max then James. James then Max. They tighten their grip, knowing this is the only time they have, and take turns facing the water as the sun begins to set.
By Anonymous (not verified) , 27 November, 2021
Shen Xin
Courtesy of the Artist, Andrew Kreps Gallery, New York, and Esther Schipper, Berlin (above), Erin Gleeson (inset)
Artist Shen Xin says the layering of desire, bondage and labour in Hito Steyerl’s video Lovely Andrea has deeply informed their understanding of image.
By Anonymous (not verified) , 20 November, 2021
I sprinkle food into the aquarium. It is a delicate job. One fish died last week, and that was unfortunate. It floated to the surface at a pathetic tilt, its disappointed mouth open. I used a coffee cup to lift it out and lay it on a table napkin borrowed from the restaurant. I had a hunt through the lost property box for a glass marble to poke through the puckered mouth of the goldfish. I knew I had seen one in there. The marble was enough to weight the dead goldfish to the floor of the tank. The other goldfish dove down to inspect it. Flashes of orange and slow gulping mouths.