Culture

Yolŋu power: the art of Yirrkala at the AGNSW is a must-see exhibition that displays an entire cosmology.

For their acclaimed debut, Sorry, Baby, comedian and actor Eva Victor is the writer, director and star of a film about trauma that is both deeply moving and funny.

Also, yes: we know the lighting could be better. But this isn’t Hollywood – it’s an elite dojo/school hall and neither we nor the school can spend our limited budgets on something so insecure as good lighting. And what are we going to do, have our hair sprayed? Are we going to dab on theatrical make-up? Are we newsreaders?

Sydney Theatre Company’s adaptation of The Talented Mr. Ripley is an entertaining two hours that comes with a geniunely unexpected twist.

Audrey Hobert’s debut album, Who’s the Clown?, is an unlikely hit full of mundane yet surreal detail that’s weirdly endearing.

German sculptor-photographer Thomas Demand, whose latest exhibition, The Object Lesson, is at the AGNSW, reframes reality in his meticulously crafted works.

For acclaimed Ukrainian–Australian pianist Alexander Gavrylyuk, music expresses the glory of human possibility and freedom.

Jeremy had less than an hour to get everything in place before the museum opened. God, he was tired: up all night worrying about whether they’d chosen the right font for the labels. He tapped his Apple Watch: time for one more scan.

French Impressionism at NGV International is the latest in a long line of blockbuster impressionist exhibitions – but the art remains sublime.

A masterpiece of strategy based on the Trans-Siberian Railway during the Russian Civil War, Last Train Home is let down by its shallow history.