Culture

For Enrico and Franca Taglietti, whose lives and work are memorialised in an exhibition at Canberra Museum and Gallery, Australia’s capital city was an architect’s dream.

It took a few days for Martha to notice the little silver hatchback. People were always leaving their cars or trailers in the dead-end beside the small reserve, sometimes for weeks, or dumping rubbish in the small hours of the morning, brazen under cover of darkness. Martha, who lived opposite, would wake to see a cheap broken cupboard or a pile of worn tyres or an old fan, say, lying like a silvery corpse in the grass.

An exhibition at State Library Victoria imaginatively explores the complexities and challenges of misinformation.

The new album from Morgan Wallen, the superstar who has outsold Taylor Swift, is a lengthy ode to shirking culpability that makes for near-perfect pop.

A theatre maker’s theatre maker, Tim Etchells and his company, Forced Entertainment, have existed long enough for their non-hierarchical approach to become radical again.

It’s pizza Friday and Saoirse won’t be here. The neighbours are coming, so we need to double the batch of dough. Dad says there are four of us and three of them after Mum comes home. But actually not, because Saoirse won’t be here. There are seven pieces of dough. Dad says there will be one piece of dough left. “Such a waste,” he says, as the bin drawer rolls to a close. Suddenly Saoirse walks down the stairs in Mum’s red boots.

The miniseries Mussolini: Son of the Century tracks Il Duce’s early years in the 1920s, uncomfortably reflecting the present-day far beyond Italy.

Tina Stefanou’s exhibition You Can’t See Speed draws on her Greek heritage to present a richly layered symbolic exploration of the urban fringe.

Jeanette Winterson was one of the first British writers to tackle the implications of technology – and she’s still at the cutting edge.